Killers of the Flower Moon Cast
Based on David Grann's bestselling book, Killers of the Flower Moon tells the true story of the serial murders of members of the oil-wealthy Osage Nation in 1920s Oklahoma. When oil is discovered on Osage land, the Osage people become the richest per capita in America, attracting white interlopers who manipulate, extort, and steal their wealth before resorting to murder. The film focuses on the relationship between Ernest Burkhart and Mollie Burkhart, and the sinister role of William King Hale in orchestrating the Reign of Terror.
Main Cast
Leonardo DiCaprio
Ernest Burkhart
Lead Role
Lily Gladstone
Mollie Burkhart
Lead Role
Robert De Niro
William King Hale
Lead Role
Jesse Plemons
Tom White
Supporting Role
Tantoo Cardinal
Lizzie Q
Supporting Role
John Lithgow
Prosecutor Leaward
Supporting Role
Brendan Fraser
W.S. Hamilton
Supporting Role
Cara Jade Myers
Anna Brown
Supporting Role
The Osage Nation
| Actor | Character | Role |
|---|---|---|
| JaNae Collins | Rita Smith | Mollie's sister |
| Jillian Dion | Minnie Smith | Mollie's sister |
| William Belleau | Henry Roan | Osage man |
| Louis Cancelmi | Kelsie Morrison | Local bootlegger |
| Tatanka Means | John Wren | Osage man |
| Michael Abbott Jr. | Frank Smith | Husband to Rita |
| Pat Healy | John Burger | Government official |
| Scott Shepherd | Bryan Burkhart | Ernest's brother |
The Conspirators
| Actor | Character | Role |
|---|---|---|
| Jason Isbell | Bill Smith | Rita's husband |
| Sturgill Simpson | Henry Grammer | Bootlegger/criminal |
| Pete Yorn | Acie Kirby | Conspirator |
| Jack White | Radio Host | Period voice |
| Charlie Musselwhite | Alvin Reynolds | Undertaker |
| Ty Mitchell | John Ramsey | Hired killer |
| Tommy Schultz | Blackie Thompson | Outlaw |
FBI & Law Enforcement
| Actor | Character | Role |
|---|---|---|
| Jesse Plemons | Tom White | FBI Special Agent |
| John Lithgow | Prosecutor Leaward | Federal prosecutor |
| Brendan Fraser | W.S. Hamilton | Defense attorney |
| Gene Jones | Undertaker Turton | Local undertaker |
| Barry Corbin | Undertaker's Assistant | Mortuary worker |
| Steve Witting | Doctor Shoun | Complicit doctor |
| Steve Routman | Judge Pollock | Trial judge |
Additional Cast
| Actor | Character | Role |
|---|---|---|
| Katherine Willis | Myrtle Hale | Hale's wife |
| Norma Jean | Martha | House worker |
| Randy Houser | Agent Burger | FBI agent |
| Eric Parkinson | Agent Smith | FBI agent |
| Everett Waller | Pitts Beaty | Guardian/lawyer |
| Martin Scorsese | Radio Play Director | Cameo appearance |
Production Team
| Role | Name | Notable Work |
|---|---|---|
| Director | Martin Scorsese | The Irishman, The Departed, Goodfellas |
| Screenplay | Eric Roth, Martin Scorsese | Forrest Gump, Dune, The Insider |
| Based on Book by | David Grann | Killers of the Flower Moon: The Osage Murders |
| Producers | Martin Scorsese, Dan Friedkin, Bradley Thomas, Daniel Lupi | Imperative Entertainment, Sikelia Productions |
| Executive Producers | Leonardo DiCaprio, Rick Yorn, Adam Somner | Appian Way Productions |
| Composer | Robbie Robertson | The Irishman, The Departed (final film score) |
| Cinematographer | Rodrigo Prieto | The Irishman, Silence, The Wolf of Wall Street |
| Editor | Thelma Schoonmaker | Longtime Scorsese collaborator |
| Production Designer | Jack Fisk | The Revenant, There Will Be Blood |
| Costume Designer | Jacqueline West | Dune, The Revenant |
| Osage Language Consultant | Christopher Cote | Cultural advisor |
| Production Companies | Apple Studios, Paramount Pictures | Sikelia Productions, Imperative Entertainment |
Awards & Recognition
- Academy Awards 2024 - Best Actress (Lily Gladstone - Nominated)
- Academy Awards - Best Picture (Nominated)
- Academy Awards - Best Director (Martin Scorsese - Nominated)
- Academy Awards - Best Supporting Actor (Robert De Niro - Nominated)
- Academy Awards - Best Cinematography (Rodrigo Prieto - Nominated)
- Academy Awards - Best Original Score (Robbie Robertson - Nominated)
- Academy Awards - Best Production Design (Nominated)
- Academy Awards - Best Costume Design (Nominated)
- Academy Awards - Best Film Editing (Nominated)
- Academy Awards - Best Original Song (Nominated)
- Golden Globe Awards - Best Motion Picture Drama (Winner)
- Golden Globe Awards - Best Actress Drama (Lily Gladstone - Winner)
- Screen Actors Guild Awards - Best Actress (Lily Gladstone - Winner)
- Critics' Choice Movie Awards - Best Picture (Winner)
- BAFTA Awards - Best Film (Nominated)
- Cannes Film Festival - Palme d'Or (Nominated)
- National Board of Review - Best Film (Winner)
Cultural Impact & Reception
Killers of the Flower Moon represents Martin Scorsese's ambitious attempt to confront a dark chapter in American history, the systematic murder of Osage Nation members for their oil wealth in the 1920s. The film marked Scorsese's first Western and his most expensive production at $200 million, funded by Apple Studios. Lily Gladstone's powerful performance as Mollie Burkhart made her the first Native American actress to win a Golden Globe for Best Actress, bringing long-overdue recognition to Indigenous talent in Hollywood.
The film's 206-minute runtime and deliberate pacing sparked debate about cinematic storytelling in the streaming age, with Scorsese defending the need for audiences to immerse themselves fully in this tragic history. Leonardo DiCaprio's decision to switch from playing FBI agent Tom White to the morally compromised Ernest Burkhart reshaped the entire narrative, centering the Osage perspective rather than making it a white savior story. The extensive collaboration with the Osage Nation, including language consultants and community involvement, set a new standard for authentic Indigenous representation in major Hollywood productions. Robert De Niro's chilling portrayal of William Hale showcased a different kind of evil - paternalistic, manipulative, and hidden behind a facade of benevolence. The film's unflinching examination of greed, complicity, and genocide resonated deeply in contemporary discussions about historical accountability and systemic racism. Robbie Robertson's haunting final score before his death added another layer of poignancy to this already powerful film.